Variety Show

‘We Have Always Fought’: Challenging the ‘Women, Cattle and Slaves’ Narrative

costumecommunityservice:

eschergirls:

“‘We Have Always Fought’: Challenging the ‘Women, Cattle and Slaves’ Narrative” by Kameron Hurley — A Dribble of Ink

I often tell people that I’m the biggest self-aware misogynist I know.

I was writing a scene last night between a woman general and the man she helped put on the throne. I started writing in some romantic tension, and realized how lazy that was. There are other kinds of tension.

I made a passing reference to sexual slavery, which I had to cut.  I nearly had him use a gendered slur against her. I growled at the screen. He wanted to help save her child… no. Her brother? Ok.  She was going to betray him. OK. He had some wives who died… ug. No. Close advisors? Friends? Maybe somebody  just… left him?

Even writing about societies where there is very little sexual violence, or no sexual violence against women, I find myself writing in the same tired tropes and motivations. “Well, this is a bad guy, and I need something traumatic to happen to this heroine, so I’ll have him rape her.” That was an actual thing I did in the first draft of my first book, which features a violent society where women outnumber men 25-1.  Because, of course, it’s What You Do.

I actually watched a TV show recently that was supposedly about this traumatic experience a young girl went through, but was, in fact, simply tossed in so that the two male characters in the show could fight over it, and argue about which of them was at fault because of what happened to her. It was the most flagrant erasure of a female character and her experiences that I’d seen in some time. She’s literally in the room with them while they fight about it, revealing all these character things about them while she sort of fades into the background.

We forget what the story’s about. We erase women in our stories who, in our own lives, are powerful, forthright, intelligent, terrifying people. Women stab and maim and kill and lead and manage and own and run. We know that. We experience it every day. We see it.

But this is our narrative: two men fighting loudly in a room, and a woman snuffling in a corner.

This is a really interesting article about the way media, fiction and narratives repeated in society shape the way we see and assume reality to be, specifically (in this case) about how narratives about women being victims, or supporting men, but not being fighters or soldiers create the idea that women never did that, and it’s only a modern new thing that we think they could, when in fact that’s not true at all.

Also, specifically relevant to this blog are the parts about how that affects us when we create stories ourselves, and can end up adding to this narrative consciously and subconsciously.  It’s the same with how women are depicted in illustrated fiction.  I honestly don’t think a lot of the boobs and butt poses, or women in bikini armor, are drawn by people consciously thinking sexist thoughts, I think they’re just doing What You Do.  This is a female character, this is just the pose we’re used to seeing women in.  We don’t think twice about drawing her like that, because it’s just how we’ve become conditioned to seeing women pose in the medium.  Same with stuff like this.  It’s how we’re used to seeing female armor, and when we think “female warrior”, our imagination just instinctively runs in the direction of what we’re used to seeing.  It’s just What You Do with female armor, and female characters, and female poses.

Since starting Escher Girls, I’ve gotten quite a lot of mail from people telling me that they never realized just how often they put their female characters in boobs and butt poses, or gave them bikini armor, just because that’s how they saw women drawn in video games and comics and never thought twice about it.  It’s just what seemed “right” to them, and that they’re now a lot more conscious of it and try to have more variety in the way they depict women, and often in ways that make more sense to the story. :)

I think it’s just important to catch ourselves sometimes and think are we creating something because this fits what we’re doing, and this makes sense, or are we just doing What You Do?  (This applies to all sorts of tropes and stereotypes too.)

Ah good. I was going to post this article but someone got there first, with commentary! Thanks. :)

Not a strictly costume design related read, but definitely an exploration of factors that might contribute to some of our least favorite costume designs for female characters.

Push-ups: 25
Sit-ups: 22

Someday I will be able to do a single one-armed push-up. (Also I knew those sit-ups were an anomaly yesterday.)

I don’t know whoever conceived of letting anonymous viewers interact with tumblr roleplay blogs via ask, but it was a terrible idea. Considering that it enables me to leave characters incisive comments about their own hypocritical behaviour, and all.

giantalbinowalrus:

varietyshow:

giantalbinowalrus:

varietyshow replied to your post: I did it. It’s over. I turned in my last project…

YEAHHHHHHHHHHHHHHHHHHH

(Was the least I could do, really. Glad you’ve got through it!)

#Also are you available for HIGHLY SPOILERY PLOT TALKINGS

oh, which kind???? ovo

For the OFF fanfic I’m writing. You know the one~

giantalbinowalrus:

varietyshow replied to your post: I did it. It’s over. I turned in my last project…

YEAHHHHHHHHHHHHHHHHHHH

(Was the least I could do, really. Glad you’ve got through it!)

Quick plot structure query.

I have: prologue, beginning, moment 1 (The Judge), moment 2 (Zacharie), moment 3 (the last Elsen), end. However, moment 3 isn’t likely to stand out as much as the previous two, because (spoilers). I’m thinking that might be okay because by that stage the turning point of the plot has already taken place - so it’s in the ‘falling action’ stage? The end should be an adequate resolution.

I’m a bit :| because 3 or 5 acts are preferable in a plot, nicht wahr? But the prologue and beginning are a bit different, so I don’t feel like it’s accurate to roll them up into one. There’s always the option of adding a scene involving Sugar in either before or after moment 2.